Song

Get Lucky

Daft Punk · Random Access Memories · 2013

high confidence

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $550K-$1.7M/year
Gross track revenue $1.3M-$3.3M/year
Ownership context Included below
Platform signals Listening links only
Last updated May 26, 2026
Get Lucky by Daft Punk

Short Answer

How much money does Get Lucky make?

Get Lucky by Daft Punk is modeled at $550K-$1.7M/year per year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Get Lucky is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This recording leans on atmosphere, texture, and replayable mood, which makes it durable in listener memory and long-tail streaming.

Did You Know?

  • Currently ranks around the top 8% of tracked songs by modeled artist-side earnings
  • Released in 2013 and still shows earnings power roughly 13 years later
  • Ranks #1 among 3 tracked songs for Daft Punk
  • 14 tracks on the linked album page
  • External listening links available
  • high confidence estimate

Why It Still Works

  • Playlist and mood-based streaming support repeat listening over long periods.
  • Steady niche demand and reissue interest can keep the track earning.
  • Licensing and soundtrack-style use can materially improve the long tail.

Get Lucky sits in the top 8% of tracked songs on the site by modeled artist-side earnings.

The song still reads as an evergreen catalog asset roughly 13 years after release.

Last updated: May 26, 2026

How It Compares

Get Lucky is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Get Lucky
current page
Daft Punk $1,125,000
One More Time
same artist · same genre
Daft Punk $920,000
Harder, Better, Faster, Stronger
same artist · same genre
Daft Punk $745,000
Do I Wanna Know?
same era · similar earnings band
Arctic Monkeys $795,000

Revenue Breakdown

Gross track revenue $1.3M-$3.3M/year
100% of the lead revenue lane
Artist-side share $550K-$1.7M/year
49% of the lead revenue lane
Label master share $240K-$720K/year
51% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

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More Questions About Get Lucky

How much did Get Lucky make in total?

Get Lucky is currently modeled at Lifetime value depends on how long Get Lucky keeps playlist, search, and catalog demand beyond the current annual modeled range. in lifetime earnings, based on the annual range and long-tail replay assumptions shown on this page.

How much does Get Lucky make per stream?

Get Lucky does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Get Lucky?

Global hit songs can stay large at the gross level even when per-stream economics stay modest.

Sources and References

These points explain the public context used to frame this page. They support a directional model, not an audited royalty statement.

Published by How Much Music using the site methodology. If a source or estimate needs correction, use the contact page.

Evidence used

  • Internal song data separates gross track revenue ($1.3M-$3.3M/year) from modeled artist-side share ($550K-$1.7M/year).
  • Publishing and songwriter lanes are shown separately where available: publishing $150K-$480K/year; songwriter $150K-$540K/year.
  • Ownership fields on this page include master context, publishing context, catalog-sale status.
  • Catalog metadata links the recording to Daft Punk, Random Access Memories, 2013.
  • External listening links are used as public track-identity references.

Model notes

  • Ownership note: Global hit songs can stay large at the gross level even when per-stream economics stay modest.

Methodology limits

  • The estimate is a modeled annual range, not a public royalty statement.
  • Gross track revenue, artist-side share, label share, publishing, and songwriter lanes are separated only where the page has structured split data.
  • Platform, certification, and listening links are context signals; they are not converted directly into royalty totals.
  • Per-stream payouts vary by platform, territory, subscription tier, and rights contract, so this page does not claim one universal song rate.
Show ownership and assumptions

Global hit songs can stay large at the gross level even when per-stream economics stay modest.

Supporting Revenue Context

Estimated gross track revenue$1.3M-$3.3M/year
Estimated artist-side cut$550K-$1.7M/year
Estimated label master share$240K-$720K/year
Estimated publishing share$150K-$480K/year
Estimated songwriter share$150K-$540K/year
MastersMix of label and artist-affiliated rights participation
PublishingPublishing appears strongly tied to creator-side interests
Catalog sale statusNo sale assumption baked into this song estimate

Assumptions: Estimate assumes large global streaming, durable playlist placement, and strong writer participation.

Notes: Global hit songs can stay large at the gross level even when per-stream economics stay modest.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full site methodology.

More Context

Related Albums

  • Discovery · Daft Punk · 2001
  • Replica · Oneohtrix Point Never · 2011
  • S/H · Steve Hauschildt · 2013

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