Song

Bad Guy

Billie Eilish · When We All Fall Asleep, Where Do We Go? · 2019

high confidence

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $500K-$1.5M/year
Gross track revenue $1.4M-$4.1M/year
Ownership context Included below
Platform signals Included below
Last updated May 26, 2026
Bad Guy by Billie Eilish

Artwork shown via Apple Music. Open the source track

Short Answer

How much money does Bad Guy make?

Bad Guy by Billie Eilish is modeled at $500K-$1.5M/year per year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Bad Guy is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This song combines direct emotion with a strong melodic center, making it easy to revisit and commercially durable.

Did You Know?

  • Currently ranks around the top 9% of tracked songs by modeled artist-side earnings
  • Released in 2019 and still shows earnings power roughly 7 years later
  • Ranks #1 among 3 tracked songs for Billie Eilish
  • 14 tracks on the linked album page
  • Apple Music preview available
  • high confidence estimate

Why It Still Works

  • Streaming scale and playlist inclusion remain the largest recurring drivers.
  • A durable hook and broad familiarity help the song keep earning across catalog listening.
  • Sync, social reuse, and seasonal spikes can lift the baseline.

Bad Guy sits in the top 9% of tracked songs on the site by modeled artist-side earnings.

How It Compares

Bad Guy is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Bad Guy
current page
Billie Eilish $1,000,000
Everything I Wanted
same artist · same genre
Billie Eilish $580,000
Happier Than Ever
same artist · same genre
Billie Eilish $665,000
Don't Start Now
same genre · same era
Dua Lipa $635,000

Revenue Breakdown

Gross track revenue $1.4M-$4.1M/year
100% of the lead revenue lane
Artist-side share $500K-$1.5M/year
36% of the lead revenue lane
Label master share $380K-$1.1M/year
64% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Platform Signals

Public platform indicators, not complete streaming totals. Spotify exposes popularity, while YouTube exposes public video views.

Spotify Open

Popularity score not checked yet.

YouTube Open

Official video configured; view count will appear after the API refresh runs.

Platform metrics are ready for refresh once API keys are configured.

Listen

Official Apple Music preview.

More Questions About Bad Guy

How much did Bad Guy make in total?

Bad Guy is currently modeled at Lifetime value depends on how long Bad Guy keeps playlist, search, and catalog demand beyond the current annual modeled range. in lifetime earnings, based on the annual range and long-tail replay assumptions shown on this page.

How much does Bad Guy make per stream?

Bad Guy does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Bad Guy?

This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.

Sources and References

These points explain the public context used to frame this page. They support a directional model, not an audited royalty statement.

Published by How Much Music using the site methodology. If a source or estimate needs correction, use the contact page.

Evidence used

  • Internal song data separates gross track revenue ($1.4M-$4.1M/year) from modeled artist-side share ($500K-$1.5M/year).
  • Publishing and songwriter lanes are shown separately where available: publishing $170K-$520K/year; songwriter $150K-$450K/year.
  • Ownership fields on this page include master context, publishing context, catalog-sale status.
  • Catalog metadata links the recording to Billie Eilish, When We All Fall Asleep, Where Do We Go?, 2019.
  • Configured Spotify or YouTube identifiers are used as public platform context when available.

Model notes

  • Ownership note: This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.
  • Public platform signals are included where Spotify or YouTube identifiers are configured.

Methodology limits

  • The estimate is a modeled annual range, not a public royalty statement.
  • Gross track revenue, artist-side share, label share, publishing, and songwriter lanes are separated only where the page has structured split data.
  • Platform, certification, and listening links are context signals; they are not converted directly into royalty totals.
  • Per-stream payouts vary by platform, territory, subscription tier, and rights contract, so this page does not claim one universal song rate.
Show ownership and assumptions

This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.

Supporting Revenue Context

Estimated gross track revenue$1.4M-$4.1M/year
Estimated artist-side cut$500K-$1.5M/year
Estimated label master share$380K-$1.1M/year
Estimated publishing share$170K-$520K/year
Estimated songwriter share$150K-$450K/year
MastersUsually split between label-controlled masters and artist royalty participation
PublishingPublishing is typically shared across writers, producers, and publishers
Catalog sale statusNo song-specific catalog sale adjustment is confirmed in this estimate

Assumptions: Estimate infers current annual earnings from streaming scale, catalog replay value, and sync utility, using typical rights splits across masters, publishing, and writers.

Notes: This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full site methodology.

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