Song

You Really Got Me

The Kinks · Catalog anchor · 1968

high confidence

Estimate at a glance

How much money does You Really Got Me make?

You Really Got Me by The Kinks is estimated at $120K-$520K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: You Really Got Me is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

You Really Got Me remains commercially useful because it still works as a recognizable catalog song for streaming, memory, and rediscovery.

What stands out

  • Currently ranks around the top 61% of tracked songs by modeled artist-side earnings
  • Released in 1968 and still shows earnings power roughly 58 years later
  • Ranks #2 among 2 tracked songs for The Kinks
  • External listening links available
  • high confidence estimate

Why the song still earns

  • Classic catalog streaming keeps the best-known songs active across generations.
  • Radio memory, playlists, and sync use support durable long-tail earnings.
  • Publishing and master rights can materially change the final artist-side share.

You Really Got Me lands in the top 61% of tracked songs by estimated artist-side earnings.

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $120K-$520K/year
Gross track revenue $348K-$1.5M/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
You Really Got Me by The Kinks

How It Compares

You Really Got Me is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
You Really Got Me
selected song
The Kinks $320,000
Hey Jude
same era
The Beatles $1,000,000

Revenue Breakdown

Gross track revenue $348K-$1.5M/year
100% of the lead revenue lane
Artist-side share $120K-$520K/year
35% of the lead revenue lane
Label master share $114K-$494K/year
65% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Preview audio is not available for this song right now.

Reader questions about You Really Got Me

How much did You Really Got Me make in total?

You Really Got Me does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does You Really Got Me make per stream?

You Really Got Me does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns You Really Got Me?

You Really Got Me is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Show ownership and assumptions

You Really Got Me is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Supporting Revenue Context

Estimated gross track revenue$348K-$1.5M/year
Estimated artist-side cut$120K-$520K/year
Estimated label master share$114K-$494K/year
Estimated publishing share$36K-$156K/year
Estimated songwriter share$50K-$218K/year
MastersLikely controlled through the recording label or distributor unless a specific rights sale is known
PublishingWriter and publisher splits affect the publishing share shown here
Catalog sale statusNo specific catalog sale adjustment is modeled for this track

Assumptions: Estimate keeps the headline range as the artist-side figure and models gross track, label, publishing, and songwriter lanes from that conservative annual range.

Notes: You Really Got Me is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.