Song

Hyperballad

Bjork · Post · 1995

high confidence

Estimate at a glance

How much money does Hyperballad make?

Hyperballad by Bjork is estimated at $65K-$280K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Hyperballad is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This recording leans on atmosphere, texture, and replayable mood, which makes it durable in listener memory and long-tail streaming.

What stands out

  • Currently ranks around the top 84% of tracked songs by modeled artist-side earnings
  • Released in 1995 and still shows earnings power roughly 31 years later
  • Ranks #2 among 2 tracked songs for Bjork
  • External listening links available
  • high confidence estimate

Why the song still earns

  • Playlist and mood-based streaming support repeat listening over long periods.
  • Steady niche demand and reissue interest can keep the track earning.
  • Licensing and soundtrack-style use can materially improve the long tail.

Hyperballad lands in the top 84% of tracked songs by estimated artist-side earnings.

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $65K-$280K/year
Gross track revenue $189K-$812K/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
Hyperballad by Bjork

How It Compares

Hyperballad is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Hyperballad
selected song
Bjork $172,500
California Love
same era
2Pac $1,000,000
Mariah Carey $7,700,000
Celine Dion $1,225,000

Revenue Breakdown

Gross track revenue $189K-$812K/year
100% of the lead revenue lane
Artist-side share $65K-$280K/year
34% of the lead revenue lane
Label master share $62K-$266K/year
66% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Preview audio is not available for this song right now.

Reader questions about Hyperballad

How much did Hyperballad make in total?

Hyperballad does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does Hyperballad make per stream?

Hyperballad does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Hyperballad?

Hyperballad is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Show ownership and assumptions

Hyperballad is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Supporting Revenue Context

Estimated gross track revenue$189K-$812K/year
Estimated artist-side cut$65K-$280K/year
Estimated label master share$62K-$266K/year
Estimated publishing share$20K-$84K/year
Estimated songwriter share$27K-$118K/year
MastersLikely controlled through the recording label or distributor unless a specific rights sale is known
PublishingWriter and publisher splits affect the publishing share shown here
Catalog sale statusNo specific catalog sale adjustment is modeled for this track

Assumptions: Estimate keeps the current headline range as the artist-side figure and models gross track, label, publishing, and songwriter lanes from that conservative annual range.

Notes: Hyperballad is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.