Song

Girls & Boys

Blur · Parklife · 1994

high confidence

Estimate at a glance

How much money does Girls & Boys make?

Girls & Boys by Blur is estimated at $100K-$330K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Girls & Boys is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This song combines direct emotion with a strong melodic center, making it easy to revisit and commercially durable.

What stands out

  • Currently ranks around the top 78% of tracked songs by modeled artist-side earnings
  • Released in 1994 and still shows earnings power roughly 32 years later
  • Ranks #2 among 2 tracked songs for Blur
  • External listening links available
  • high confidence estimate

Why the song still earns

  • Streaming scale and playlist inclusion remain the largest recurring drivers.
  • A durable hook and broad familiarity help the song keep earning across catalog listening.
  • Sync, social reuse, and seasonal spikes can lift the baseline.

Girls & Boys lands in the top 78% of tracked songs by estimated artist-side earnings.

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $100K-$330K/year
Gross track revenue $290K-$957K/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
Girls & Boys by Blur

How It Compares

Girls & Boys is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Girls & Boys
selected song
Blur $215,000
Mariah Carey $7,700,000
California Love
same era
2Pac $1,000,000

Revenue Breakdown

Gross track revenue $290K-$957K/year
100% of the lead revenue lane
Artist-side share $100K-$330K/year
34% of the lead revenue lane
Label master share $95K-$314K/year
66% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Preview audio is not available for this song right now.

Reader questions about Girls & Boys

How much did Girls & Boys make in total?

Girls & Boys does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does Girls & Boys make per stream?

Girls & Boys does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Girls & Boys?

Girls & Boys is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Show ownership and assumptions

Girls & Boys is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Supporting Revenue Context

Estimated gross track revenue$290K-$957K/year
Estimated artist-side cut$100K-$330K/year
Estimated label master share$95K-$314K/year
Estimated publishing share$30K-$99K/year
Estimated songwriter share$42K-$139K/year
MastersLikely controlled through the recording label or distributor unless a specific rights sale is known
PublishingWriter and publisher splits affect the publishing share shown here
Catalog sale statusNo specific catalog sale adjustment is modeled for this track

Assumptions: Estimate keeps the current headline range as the artist-side figure and models gross track, label, publishing, and songwriter lanes from that conservative annual range.

Notes: Girls & Boys is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.