Song

Friends in Low Places

Garth Brooks · No Fences · 1990

high confidence

Estimate at a glance

How much money does Friends in Low Places make?

Friends in Low Places by Garth Brooks is estimated at $100K-$390K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Friends in Low Places is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

Friends in Low Places still earns because it remains one of the most durable crowd-singalong country songs ever recorded.

What stands out

  • Currently ranks around the top 73% of tracked songs by modeled artist-side earnings
  • Released in 1990 and still shows earnings power roughly 36 years later
  • Ranks #1 among 2 tracked songs for Garth Brooks
  • External listening links available
  • high confidence estimate

Why the song still earns

  • country catalog streaming
  • bar and event replay
  • playlist longevity

Friends in Low Places lands in the top 73% of tracked songs by estimated artist-side earnings.

The song still reads as an evergreen catalog asset roughly 36 years after release.

Last updated: July 15, 2026

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $100K-$390K/year
Gross track revenue $290K-$1.1M/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
Friends in Low Places by Garth Brooks

How It Compares

Friends in Low Places is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Friends in Low Places
selected song
Garth Brooks $245,000
Nirvana $1,205,000

Revenue Breakdown

Gross track revenue $290K-$1.1M/year
100% of the lead revenue lane
Artist-side share $100K-$390K/year
35% of the lead revenue lane
Label master share $95K-$371K/year
65% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Preview audio is not available for this song right now.

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Reader questions about Friends in Low Places

How much did Friends in Low Places make in total?

Friends in Low Places does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does Friends in Low Places make per stream?

Friends in Low Places does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Friends in Low Places?

Friends in Low Places is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Show ownership and assumptions

Friends in Low Places is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Supporting Revenue Context

Estimated gross track revenue$290K-$1.1M/year
Estimated artist-side cut$100K-$390K/year
Estimated label master share$95K-$371K/year
Estimated publishing share$30K-$117K/year
Estimated songwriter share$42K-$164K/year
MastersLikely controlled through the recording label or distributor unless a specific rights sale is known
PublishingWriter and publisher splits affect the publishing share shown here
Catalog sale statusNo specific catalog sale adjustment is modeled for this track

Assumptions: Estimate keeps the current headline range as the artist-side figure and models gross track, label, publishing, and songwriter lanes from that conservative annual range.

Notes: Friends in Low Places is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.

More Context

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