Song

An Ending (Ascent)

Brian Eno · Apollo: Atmospheres and Soundtracks · 1983

high confidence

Estimate at a glance

How much money does An Ending (Ascent) make?

An Ending (Ascent) by Brian Eno is estimated at $65K-$220K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: An Ending (Ascent) is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This recording leans on atmosphere, texture, and replayable mood, which makes it durable in listener memory and long-tail streaming.

What stands out

  • Currently ranks around the top 87% of tracked songs by modeled artist-side earnings
  • Released in 1983 and still shows earnings power roughly 43 years later
  • Ranks #1 among 3 tracked songs for Brian Eno
  • Apple Music preview available
  • high confidence estimate

Why the song still earns

  • Playlist and mood-based streaming support repeat listening over long periods.
  • Steady niche demand and reissue interest can keep the track earning.
  • Licensing and soundtrack-style use can materially improve the long tail.

An Ending (Ascent) lands in the top 87% of tracked songs by estimated artist-side earnings.

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $65K-$220K/year
Gross track revenue $130K-$440K/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
An Ending (Ascent) by Brian Eno

Artwork shown via Apple Music. Open the source track

How It Compares

An Ending (Ascent) is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
An Ending (Ascent)
selected song
Brian Eno $142,500
The Police $1,580,000
Billie Jean
same era
Michael Jackson $1,375,000

Revenue Breakdown

Gross track revenue $130K-$440K/year
100% of the lead revenue lane
Artist-side share $65K-$220K/year
50% of the lead revenue lane
Label master share $15K-$55K/year
50% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Official Apple Music preview.

Reader questions about An Ending (Ascent)

How much did An Ending (Ascent) make in total?

An Ending (Ascent) does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does An Ending (Ascent) make per stream?

An Ending (Ascent) does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns An Ending (Ascent)?

This is an inferred gross-to-net range based on niche catalog behavior, not a public royalty statement.

Show ownership and assumptions

This is an inferred gross-to-net range based on niche catalog behavior, not a public royalty statement.

Supporting Revenue Context

Estimated gross track revenue$130K-$440K/year
Estimated artist-side cut$65K-$220K/year
Estimated label master share$15K-$55K/year
Estimated publishing share$15K-$55K/year
Estimated songwriter share$15K-$55K/year
MastersLikely split between artist-affiliated control and distribution-side participation
PublishingPublishing appears concentrated on the writer or small rightsholder group
Catalog sale statusNo song-specific catalog sale adjustment is assumed here

Assumptions: Estimate infers current annual earnings from niche streaming depth, catalog replay value, and selective licensing, using creator-leaning rights splits.

Notes: This is an inferred gross-to-net range based on niche catalog behavior, not a public royalty statement.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.