Song

The One I Love

R.E.M. · Document · 1987

high confidence

Estimate at a glance

How much money does The One I Love make?

The One I Love by R.E.M. is estimated at $85K-$250K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: The One I Love is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This song holds value through a recognizable core riff or chorus, strong emotional payoff, and steady replay.

What stands out

  • Currently ranks around the top 85% of tracked songs by modeled artist-side earnings
  • Released in 1987 and still shows earnings power roughly 39 years later
  • Ranks #3 among 3 tracked songs for R.E.M.
  • External listening links available
  • high confidence estimate

Why the song still earns

  • Classic replay value and catalog streaming keep major rock songs relevant.
  • Cultural familiarity supports long-tail listener demand.
  • Sync placements and live-culture recognition help extend the song's revenue life.

The One I Love lands in the top 85% of tracked songs by estimated artist-side earnings.

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $85K-$250K/year
Gross track revenue $247K-$725K/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
The One I Love by R.E.M.

Revenue Breakdown

Gross track revenue $247K-$725K/year
100% of the lead revenue lane
Artist-side share $85K-$250K/year
34% of the lead revenue lane
Label master share $81K-$238K/year
66% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Preview audio is not available for this song right now.

Reader questions about The One I Love

How much did The One I Love make in total?

The One I Love does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does The One I Love make per stream?

The One I Love does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns The One I Love?

The One I Love is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Show ownership and assumptions

The One I Love is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Supporting Revenue Context

Estimated gross track revenue$247K-$725K/year
Estimated artist-side cut$85K-$250K/year
Estimated label master share$81K-$238K/year
Estimated publishing share$26K-$75K/year
Estimated songwriter share$36K-$105K/year
MastersLikely controlled through the recording label or distributor unless a specific rights sale is known
PublishingWriter and publisher splits affect the publishing share shown here
Catalog sale statusNo specific catalog sale adjustment is modeled for this track

Assumptions: Estimate keeps the current headline range as the artist-side figure and models gross track, label, publishing, and songwriter lanes from that conservative annual range.

Notes: The One I Love is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.