Song

It's a Sin

Pet Shop Boys · Actually · 1987

high confidence

Estimate at a glance

How much money does It's a Sin make?

It's a Sin by Pet Shop Boys is estimated at $140K-$520K/year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: It's a Sin is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

Its emotional scale and strong melodic identity help the recording keep earning through replay and rediscovery.

What stands out

  • Currently ranks around the top 53% of tracked songs by modeled artist-side earnings
  • Released in 1987 and still shows earnings power roughly 39 years later
  • Ranks #2 among 2 tracked songs for Pet Shop Boys
  • External listening links available
  • high confidence estimate

Why the song still earns

  • Catalog streaming and synth-driven playlist use sustain long-tail replay.
  • Alternative-pop familiarity supports recurring discovery.
  • Strong songwriter identity helps preserve retained economics.

It's a Sin lands in the top 53% of tracked songs by estimated artist-side earnings.

The song still reads as an evergreen catalog asset roughly 39 years after release.

Last updated: July 15, 2026

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $140K-$520K/year
Gross track revenue $406K-$1.5M/year
Ownership context Included below
Platform signals Listening links only
Last updated July 15, 2026
It's a Sin by Pet Shop Boys

Revenue Breakdown

Gross track revenue $406K-$1.5M/year
100% of the lead revenue lane
Artist-side share $140K-$520K/year
35% of the lead revenue lane
Label master share $133K-$494K/year
65% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

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Preview audio is not available for this song right now.

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Reader questions about It's a Sin

How much did It's a Sin make in total?

It's a Sin does not have a public lifetime total, so the estimate stays focused on modeled annual earnings instead of claiming an audited career total.

How much does It's a Sin make per stream?

It's a Sin does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns It's a Sin?

It's a Sin is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Show ownership and assumptions

It's a Sin is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Supporting Revenue Context

Estimated gross track revenue$406K-$1.5M/year
Estimated artist-side cut$140K-$520K/year
Estimated label master share$133K-$494K/year
Estimated publishing share$42K-$156K/year
Estimated songwriter share$59K-$218K/year
MastersLikely controlled through the recording label or distributor unless a specific rights sale is known
PublishingWriter and publisher splits affect the publishing share shown here
Catalog sale statusNo specific catalog sale adjustment is modeled for this track

Assumptions: Estimate keeps the headline range as the artist-side figure and models gross track, label, publishing, and songwriter lanes from that conservative annual range.

Notes: It's a Sin is modeled from public-facing catalog behavior and conservative rights-split assumptions, not from audited royalty statements.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full methodology.