Song

Here Comes the Rain Again

Eurythmics · Touch · 1983

high confidence

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $170K-$550K/year
Gross track revenue $330K-$850K/year
Ownership context Included below
Platform signals Listening links only
Last updated May 26, 2026
Here Comes the Rain Again by Eurythmics

Short Answer

How much money does Here Comes the Rain Again make?

Here Comes the Rain Again by Eurythmics is modeled at $170K-$550K/year per year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Here Comes the Rain Again is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

Here Comes the Rain Again still earns because it remains one of Eurythmics' most durable mood-driven songs and continues to fit both synth-pop and adult-pop nostalgia listening.

Did You Know?

  • Currently ranks around the top 50% of tracked songs by modeled artist-side earnings
  • Released in 1983 and still shows earnings power roughly 43 years later
  • Ranks #2 among 2 tracked songs for Eurythmics
  • 1 tracks on the linked album page
  • External listening links available
  • high confidence estimate

Why It Still Works

  • The track holds long-tail value through 1980s and new-wave playlist use.
  • Its atmosphere supports recurrent media and soundtrack-style reuse.
  • Writer participation strengthens the artist-side economics of replay.

Here Comes the Rain Again sits in the top 50% of tracked songs on the site by modeled artist-side earnings.

The song still reads as an evergreen catalog asset roughly 43 years after release.

Last updated: May 26, 2026

How It Compares

Here Comes the Rain Again is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Eurythmics $360,000
Sweet Dreams (Are Made of This)
same artist · same genre
Eurythmics $795,000
Girls Just Want to Have Fun
same era · similar earnings band
Cyndi Lauper $295,000
Time After Time
same era · similar earnings band
Cyndi Lauper $255,000

Revenue Breakdown

Gross track revenue $330K-$850K/year
100% of the lead revenue lane
Artist-side share $170K-$550K/year
61% of the lead revenue lane
Label master share $70K-$210K/year
39% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

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Amazon Music

More Questions About Here Comes the Rain Again

How much did Here Comes the Rain Again make in total?

Here Comes the Rain Again does not have a public lifetime total, so this page stays focused on modeled annual earnings instead of claiming an audited career total.

How much does Here Comes the Rain Again make per stream?

Here Comes the Rain Again does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Here Comes the Rain Again?

Artist-side range is modeled, not disclosed by rightsholders.

Show ownership and assumptions

Artist-side range is modeled, not disclosed by rightsholders.

Supporting Revenue Context

Estimated gross track revenue$330K-$850K/year
Estimated artist-side cut$170K-$550K/year
Estimated label master share$70K-$210K/year
Estimated publishing share$55K-$160K/year
Estimated songwriter share$40K-$120K/year
Masterslabel / catalog rightsholder
Publishingwriter / publisher split with strong creator participation
Catalog sale statusnot publicly modeled as a fully sold-out song position

Assumptions: Estimate assumes durable playlist placement, strong song identity, and lighter but steady sync-style reuse.

Notes: Artist-side range is modeled, not disclosed by rightsholders.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full site methodology.

More Context

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