Song

Everybody Hurts

R.E.M. · Automatic for the People · 1992

high confidence

artist-side split is modeled + gross track revenue is separated. Why?

The headline number is the modeled artist-side annual share for this recording when split data exists.

Modeled artist-side range $140K-$390K/year
Gross track revenue $380K-$1M/year
Ownership context Included below
Platform signals Listening links only
Last updated May 26, 2026
Everybody Hurts by R.E.M.

Short Answer

How much money does Everybody Hurts make?

Everybody Hurts by R.E.M. is modeled at $140K-$390K/year per year on the artist side, with gross track revenue and ownership context separated below.

Takeaway: Everybody Hurts is one of the stronger modeled catalog earners here because replay demand and ownership context both support a durable annual range.

This song holds value through a recognizable core riff or chorus, strong emotional payoff, and steady replay.

Did You Know?

  • Currently ranks around the top 68% of tracked songs by modeled artist-side earnings
  • Released in 1992 and still shows earnings power roughly 34 years later
  • Ranks #2 among 3 tracked songs for R.E.M.
  • 1 tracks on the linked album page
  • External listening links available
  • high confidence estimate

Why It Still Works

  • Classic replay value and catalog streaming keep major rock songs relevant.
  • Cultural familiarity supports long-tail listener demand.
  • Sync placements and live-culture recognition help extend the song's revenue life.

Everybody Hurts sits in the top 68% of tracked songs on the site by modeled artist-side earnings.

How It Compares

Everybody Hurts is compared against nearby songs in the catalog based on artist overlap, era, genre, and modeled earnings range.

Song Artist Estimated yearly midpoint
Everybody Hurts
current page
R.E.M. $265,000
Losing My Religion
same artist · same genre
R.E.M. $355,000
The One I Love
same artist · same genre
R.E.M. $167,500
Spaceman
same genre · same era
4 Non Blondes $55,000

Revenue Breakdown

Gross track revenue $380K-$1M/year
100% of the lead revenue lane
Artist-side share $140K-$390K/year
38% of the lead revenue lane
Label master share $110K-$290K/year
62% of the lead revenue lane

Bars reflect modeled annual midpoint ranges, not audited royalty statements.

Listen

Preview audio is not available for this song right now.

More Questions About Everybody Hurts

How much did Everybody Hurts make in total?

Everybody Hurts does not have a public lifetime total, so this page stays focused on modeled annual earnings instead of claiming an audited career total.

How much does Everybody Hurts make per stream?

Everybody Hurts does not have a single public per-stream rate because payouts vary by platform, territory, subscription tier, and contract structure. The estimate here is modeled from aggregate streaming, licensing, and catalog behavior instead.

Who owns Everybody Hurts?

This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.

Show ownership and assumptions

This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.

Supporting Revenue Context

Estimated gross track revenue$380K-$1M/year
Estimated artist-side cut$140K-$390K/year
Estimated label master share$110K-$290K/year
Estimated publishing share$50K-$130K/year
Estimated songwriter share$40K-$120K/year
MastersUsually split between label-controlled masters and artist royalty participation
PublishingPublishing is typically shared across writers, producers, and publishers
Catalog sale statusNo song-specific catalog sale adjustment is confirmed in this estimate

Assumptions: Estimate infers current annual earnings from streaming scale, catalog replay value, and sync utility, using typical rights splits across masters, publishing, and writers.

Notes: This is an inferred gross-to-net range based on current streaming and catalog behavior, not a public royalty statement.

Split-aware estimate

The headline number is the modeled artist-side annual share for this recording when split data exists.

  • Gross track revenue is separated from artist-side take-home where the page has enough split context.
  • Ownership notes on masters or publishing are included and should be read alongside the revenue number.
  • All figures are conservative annual modeled ranges based on streaming behavior, cultural replay value, sync potential, and available ownership information, not public royalty statements.

Read the full site methodology.

More Context

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